Phish Newsletter: Jan 28, 2019

Hello Phish Phans!

This week we will begin our journey into the mystical land of Gamehendge, home of the Lizards. Over the next several weeks you will hear the story of how the Lizards, a peaceful group of people, were deceived by an outsider, and their attempts to claim back their kingdom. This story was written as part of Trey Anastasio’s senior thesis: The Man Who Stepped Into Yesterday. Each song in the thesis tells a different part of the story, connected by transition music and some narration. The transition music is called “The Man Who Stepped into Yesterday” and serves as the story’s theme music. Over the next several weeks, I will try to recreate the thesis by providing the narration and the songs (with lyrics). While the full thesis exists online, I will opt for finding better recorded versions of each song.

We begin our journey with the theme music “The Man Who Stepped into Yesterday” and the beginning narration https://www.youtube.com/watch?v=iOcr5fJM_BI

Narration: Once upon a time there was a mountain that rose out of a vast green forest. And in the forest there were birds and lakes and rocks and trees and rivers. The forest was also inhabited by a small group of people called the lizards. The lizards were a simple people and they had lived in the forest undisturbed for thousands of years in utter peace and tranquillity. Once a year when spring came, and the first blossoms began to show, the lizards would gather at the base of the mountain, to give thanks for all that they had. They thanked the birds and they thanked the lakes and they thanked the rocks and the trees and the rivers; but most importantly, they thanked Icculus. Icculus lived at the top of the mountain, or at least everyone thought so, for no one had actually ever seen him. But they knew he existed, because they had the Helping Friendly Book. Icculus had given the Helping Friendly Book to the Lizards thousands of years earlier as a gift. It contained all of the knowledge inherent in the universe, and had enabled the Lizards to exist in harmony with nature for years. And so they lived; until one day a traveler arrived in Gamehendge. His name was Wilson and he quickly became intrigued by the Lizards way of life. He asked if he could stay on and live in the forest; and the Lizards, who had never seen an outsider, were happy to oblige. Wilson lived with the Lizards for a few years, studying the ways of the Helping Friendly Book, and all was well. Until one morning when they awoke and the book was gone. Wilson explained that he had hidden the book, knowing that the Lizards had become dependent on it for survival. He declared himself king and enslaved the innocent people of Gamehendge. He cut down the trees and built a city, which he called Prussia. And in the center of the city he built a castle, and locked in the highest tower of the castle lay the Helping Friendly Book out of the reach of the Lizards forever. But our story begins at a different time, not in Gamehendge, but on a suburban street in Long Island, and our hero is no king sitting in a castle, he is a retired colonel shaving in his bathroom.

Colonel Forbin looked square in the mirror and dragged the blade across his cold creamed skin. He saw the tired little folds of flesh that lay in a heap beneath his eyes. Fifty-two years of obedient self-restraint, of hiding his tension behind a serene veil of composure. For fifty-two years he had piled it all on the back burner, and for fifty-two years it had boiled, frothing over in a turbulent storm inside of him. It had escaped through his eyes, reacting with the cigarette smoke and the fluorescent lights and slowly accumulating into a sagging mass. He ran his dripping palm across the stubble on the nape of his neck and thought again about the door. He had discovered the door some months back on one of his ritualistic morning walks with his dog McGrupp. It had started out as a typical stroll with McGrupp bounding joyously ahead of the preoccupied colonel. As they reached the apex of the hill, he saw it and he knew it had always been there, and felt foolish for overlooking the door for so long. At first, he tried to ignore it, but he soon found that it was impossible, and slowly his newly acquired knowledge transformed his dreary life into a prison from which there was only one escape. And on this morning, Colonel Forbin stepped through the door.
As “The Man Who Stepped into Yesterday” serves as the theme/transitional music, we will not consider it the first song. This narration transitions into the first real song of the thesis: “The Lizards” 

“The Lizards” is sung from the perspective of Colonel Forbin after passing through the door into Gamehendge where he first meets a knight named Rutherford the Brave….https://www.youtube.com/watch?v=3HoDlGNTisI

Lyrics: Passing through the corridor I came upon an aging knight
Who leaned against the wall in gnarly armor
He was on his way to see the king
Wilson
Wilson
Wilson
He led me through the streets of Prussia talking
As he tried to crush a bug that scurried underneath his bootheel
He said there was a place where we should go
So he lead me through the forest to the edge of a lagoon by which
We wandered ’til we reached a bubbly spring
The knight grew very quiet as we stood there
Then he lifted up his visor and he turned to me and he began to sing

chorus:

He said I come from the land of darkness
I said I come from the land of doom
He said I come from the land of Gamehendge
From the land of the big baboon
But I’m never never going back there
And I couldn’t if I tried
‘Cause I come from the land of Lizards
And the Lizards they have died
And the Lizards they have died
And the Lizards they have died
And the Lizards they have died

He told me that the Lizards were a race of people practically extinct
From doing things smart people don’t do
He said that he was once a Lizard too
His name was Rutherford the Brave and he was on a quest to save
His people from the fate that lay before them.
Their clumsy end was perilously near
The Lizards would be saved, he said, if they could be enlightened
By the writings of the Helping Friendly Book
In all of Prussia only one existed
And Wilson had declared that any person who possessed it was a crook

[chorus]

The Helping Friendly Book, it seemed, possessed the ancient secrets
Of eternal joy and never-ending splendor
The trick was to surrender to the flow
We walked along beneath the moon
He lead us through the bush ’till soon
We saw before our eyes a raging river
He said that we could swim it if we tried
And saying this the knight dove in forgetting that his suit of arms
Would surely weigh him down and so he sunk
And as his body disappeared before me
I bowed my head in silence and remembered all thoughts that he had thunk

[chorus]
In the thesis, the narration continues over the music at the end (~7:50 in clip):But Rutherford and Forbin weren’t alone. And suddenly an unexpected movement caught his eye. On the far side of the river he saw a shaggy creature standing in the weeds who stared across at Forbin with an unrelenting gaze. A gigantic mass of muscles and claws. The hideous beast reared back and hurled himself in the water and swam toward the region where Rutherford lay. And in a flash, the beast was gone, underneath the surface to the frosty depths below while Forbin, bewildered, waited alone. The seconds dragged by in what seemed like hours till finally the colonel felt it all had been a dream. Defeated, he bowed his head then turned to go. Suddenly with a roar, the creature emerged before him and held the brave knight’s body to the sky. And the creature laid the knight upon the shore. And the colonel fell beside his friend in prayer that he’d survive. And Rutherford, brave Rutherford was alive.


Next time, we’ll meet Tela!

Phish Newsletter: Dec 4, 2018

Hello Phish Phans! 


We will conclude our brief discussion on prog rock with the Phish’s magnum opus – You Enjoy Myself (or YEM as it is commonly referred to). Written in 1985 while Trey and Fish were in Europe, YEM is one of the most played and beloved songs in the Phish catalog. When Phish took their big hiatus in the mid-2000s, Trey made a comment about how he would give his left nut to play YEM 5 times a day for the rest of his life. The Phish phenomenon is exemplified by YEM’s history and nature, which is as compositionally intricate as it is lyrically goofy. Trey has also said that YEM “sums up our first five years.”

YEM is comprised of five sections (in general): the opening, composed section; the section featuring the song’s only lyrics and the Page-driven trampoline jam; the Trey-driven jam section; a bass and drums segment; and then the vocal jam. 
The composed section is the first ~ 6 minutes of the song (depending on the version), consisting of a complex arpeggio opening section followed by a spacey, free-form improvisational section, a brief piano solo, bass solo, and then a tension building section that resolves with a guitar solo (“The Note”).

The next section begins with an often-hideous scream, and then a funky jam that includes the song’s only lyrics. There has long been debate about what the lyrics actually are or mean, but it’s generally agreed upon that it’s “Boy, Man, God, Shit, Wash Uffizi drive me to Firenze,” which probably comes from some language barrier Trey and Fish encountered while in Europe. Trey discusses the origins of YEM in this interview here: https://www.youtube.com/watch?v=oPkMnfD4HO4. Following, Trey and Mike get on trampolines while Page drives the jam (watch the video for this). 
After exiting the trampoline jam, Trey usually takes over for the next several minutes. Next, Mike and Fish are featured in the bass and drums segment, while Trey either dances or contributes on his “toy drum kit.” YEM concludes with a vocal jam which is often a strange, inarticulate vocal improvisation (I sometimes just skip this cause it gets weird).

As this is one of Phish’s most played songs, it has many great versions! In college I had an iTunes playlist with 10+ versions that I looped through to compare (people made fun of me for this! and sometimes still bring it up!!). Here are a few of my favorites! 
YEM 12/7/94 (audio only): https://www.youtube.com/watch?v=-RuEDNYQQ40
YEM 12/31/95 (full audio): https://www.youtube.com/watch?v=blciN4nMGrMYEM 12/31/95 (video pt 1): https://www.youtube.com/watch?v=-0XBu3-JXT4YEM 12/31/95 (video pt 2): https://www.youtube.com/watch?v=gt3HJmnb3yc
YEM 12/09/95 (video): https://www.youtube.com/watch?v=TXgh2Zmzlxc

Enjoy! Next stop- Gamehendge! 

Phish Newsletter: Nov 26, 2018

Hello Phish Phans! 


Let us continue our prog rock discussion from 2 weeks ago with the “Divided Sky.” Unlike “Fluffhead,” there is no standard verse-chorus section of the song. Instead, the song has two general parts: a composed section (the prog rock like section) and then a jam, with the two parts being separated by a ~1 minute pause. 

The song begins with some opening music, followed by a chant (the only vocal part of the song), “Divided Sky, the wind blows high.” The “Palindrome” segment follows the chant, in which an intricate note pattern is played over a shifting time signature, and then played backwards. Following, a jazz-influenced section of building “tension and release” is played before culminating in a section featuring the main theme of the song. After the main theme is presented, there is a long pause before Trey plays the theme-resolving note. 

Check out this version from 1998 (audio only): https://www.youtube.com/watch?v=u5UPaIqauA4This one might be more entertaining since there is video as well (10/31/94): https://www.youtube.com/watch?v=sFtKix8YObQ

Enjoy ;)~ 

Phish Newsletter: Nov 13, 2018

Hello Phish Phans! 

Following from last week’s Halloween discussion where we talked about Phish’s made up 80’s Scandinavian Prog Rock band (Kasvot Växt), I think it is important to note that while Phish is known for their free-form, exploratory jams, a lot of their early work has deep prog rock roots. Check out their first two studio albums, “Junta” and “Lawn Boy.” 
Today’s song, “Fluffhead” appeared on their first studio album in two parts: “Fluffhead” which has the structure of a typical song, and “Fluff’s Travels,” a complex multi-part composition in the form of a six-part suite. Today it is performed as one full piece. Most phans will agree that the best performance of this song was from the Clifford Ball (the first Phish festival) in August 1996. 

I think it is more entertaining to watch the performance. Unfortunately, the full performance does not exist! For some reason, the middle section of the song was cut such that there’s only the first 4 minutes and then the last 5 minutes of the performance.

Luckily, the full audio recording is on YouTube. Here are the links to the videos as well as the full audio:

Fluffhead (video) Pt 1: https://www.youtube.com/watch?v=0eXYJepbhyEFluffhead (video) Pt 2: https://www.youtube.com/watch?v=9MY3-wiaRLQ
Full audio recording: https://www.youtube.com/watch?v=DeBD0hWxO7U

Phish Newsletter: Nov 4, 2018

This week’s Phish song is Halloween themed, because Halloween is the spookiest and therefore best holiday! Phish sometimes plays a show on Halloween and in the spirt of the holiday, “wears” a musical costume. That is, they will cover an entire album. Beginning in 1994, they have since played 10 Halloween shows! Here is the complete run-down of the years and the albums they covered:

1994: The White Album by The Beatles1995: Quadrophenia by The Who

1996: Remain In Light by The Talking Heads

1998: Loaded by The Velvet UndergroundNOTE – In 1998 it was rumored that they would cover “Dark Side of the Moon” by Pink Floyd for Halloween. While they instead covered Loaded, they would go on to cover Dark Side of the Moon two nights later on Nov. 2, 1998.

2009: Exile on Main Street by The Rolling Stones

2010: Waiting For Columbus by Little Feat

2013: Wingsuit by Phish (“Wingsuit” was a collection of new songs by Phish that had yet to be played. Instead of covering a classic rock album, Phish performed a cover of their future selves. Many of these songs ended up on the 2014 Phish album “Fuego”)

2014: The Chilling, Thrilling Sounds of The Haunted House by Walt Disney Records (This album contains short, spooky stories and sound effects to which Phish added their own music, using the sound effects as samples and/or inspiration)

2016: The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie

2018: í Rokk by Kasvot Växt (Kasvot Växt is a Scandinavian prog rock band from the 1980s, or so we were told. Turns out the band and album were completely made up. Phish made up the band, band members, albums, and a whole back story. Instead, the band performed original Phish music written and played in the style of an 80s prog-rock band)

I think the entire sets for most of the Halloween shows are on youtube. I didn’t want sent out a bunch of 90 minute youtube videos, so here is one song from most of the Halloween shows (couldn’t always find a quality video).

While My Guitar Gently Weeps (1994): https://www.youtube.com/watch?v=3alrPKnKZ14

Born Under Punches (1996): https://www.youtube.com/watch?v=wf1FGFKD0UQ

Spanish Moon (2010): https://www.youtube.com/watch?v=7lHtcAGuc40

Wombat (2013): https://www.youtube.com/watch?v=Q-lmVFLeTbM

Martian Monster (2014): https://www.youtube.com/watch?v=AOMSOAOwQYc

Rock N Roll Suicide (2016): https://www.youtube.com/watch?v=jsUhnigqVUw

The Final Hurrah (2018): https://www.youtube.com/watch?v=5DIbUa2RClM

Phish Newsletter: Oct 29, 2018

Hello Phish Phans! 

It is time for another Phish jam! Last night, Phish ended a 3-night run in Chicago at the Allstate Arena. Hopefully you Illinois folks made it up for the shows, as they were pretty good! This week’s Phish jam is from 2003 (also at the Allstate Arena!) from the song “Gotta Jibboo.” It’s one of those songs where you might ask “how is this even a song???”

This show occurred during the Phish 2.0 era, which was the time between their first hiatus (2002) and second hiatus (2004). [Phish 1.0 refers to 1983-2000 and Phish 3.0 refers to 2009 – Present] The 2.0 era was marked with a lot of inconsistencies, as Trey’s drug use had gotten out of control. Some shows were really good, but some were also really sloppy. 

This version of the song is nearly 20 minutes long. If you have the time, it’s worth the listen. If not, I’ve also attached the studio version which I think has a decent jam as well. 

Live version: https://www.youtube.com/watch?v=rZkRo2GBfQY

Studio version: https://www.youtube.com/watch?v=7uEp3u3fvBk

Phish Newsletter: Oct 22, 2018

Hello Phish Phans!

Since I skipped last week, this week you get two songs! First one is Sand from 12/31/99 during the Big Cypress Festival! This was part of their ~8 hour long set that began just before midnight on NYE going from 1999 into 2000. They started playing just before midnight and played until the sun rose the next day. They played about 37 songs during that set. A dark groove develops in this “Sand” jam that includes a bunch of eerie effects. Very ambient! 

Sand: https://www.youtube.com/watch?v=BayAIRqFsHY

Second song was just uploaded on Phish’s YouTube channel and from their Fall tour opener last week in Albany, NY (I was there)! The song is “Twenty Years Later”: https://www.youtube.com/watch?v=bw7UzmA7KKk

Also, I have some exciting news! Phish’s Fall Tour continues this week in Nashville, TN. There will be a free webcast this Wednesday, October 24 at 7PM CDT from Phish’s show at Ascend Amphitheater in Nashville, TN at LivePhish.com. Tune-in at webcast.livephish.com.

Phish Newsletter: Oct 9, 2018

Hello Phish Phans! 

We start this week on Tuesday because of the holiday (not really). We got a good jam for this week—it is the “Bathtub Gin” from The Great Went Phish festival that took place in Limestone, ME  in August 1997. Many people rank this as one of Phish’s best jams and someone did an analysis on the structure of the jam, so I won’t spend too much time discussing it here. The jam starts around 4:40, but really gets going around 8:30.

Here is the song: https://www.youtube.com/watch?v=gWfbtGBG8gE

Here is the analysis video: https://www.youtube.com/watch?v=c0ifIs3_7Zw

Phish Newsletter: Oct 1, 2018

Hello Phans of the Phish!

We’re gonna switch gears a little bit this week and instead of sharing another Phish jam, I want to provide an example of the theatrics that you may encounter at a Phish show. This show and song choice are motivated by two events: within the past week, Phish announced that they will do another 4-year run in Madison Square Garden for New Years. If you don’t know what it means for Phish to be playing MSG, think of them as a sports team. MSG would be their home field (or court). The NYE shows in MSG are Phish’s big thing and securing tickets to those shows are notoriously difficult. Secondly, last week I mentioned the attempt to set the world record for most people doing the same dance to the song “Meatstick” at the Camp Oswego festival, so I’ve decided to share the video from Meatstick on NYE 2011 (in MSG). 

Phish usually does something big for the NYE show. For starters, they usually play 3 sets instead of the usual 2, with the 3rd set starting shortly before midnight and playing up to the ball drop, then they play Auld Lang Syne and continue to play a full set. Usually some theatrics are involved. In 1995 they did the Gamehendge Time Phactory (which you might see a clip of in the future!), in 2013 they did the JEMP truck set (for which they drove a truck into the middle of MSG and played a set on top of that truck), another year they covered the stage in artificial turf and drove golf carts around it.
This video I’m sharing is from 2011 when they brought out 40 or so broadway performers to sing and dance to the song “Meatstick.” In the original song, after singing the last chorus in English, they sing it again in Japanese (I think?). For this performance, they have the broadway dancers dressed as people from different countries sing the chorus in that country’s native language. Then there is some choreographed dance they do while the band leaves and re-emerges in a flying hot dog. 
https://www.youtube.com/watch?v=vkgwhc3cSh0

Hope you all enjoy this one!

Phish Newsletter: Sept 26, 2018

Hello Phish Phans! 

This week’s Phish jam is a Piper jam from 1999. It took place during their 4th Festival, in the small rural upstate New York town of Volney (Oswego County)! Camp Oswego was a two-night run at the Oswego County Airport on July 17 and 18, 1999, attended by 65,000 people. Fun note: during the festival, the band and audience attempted to break the world record for the most people doing the same dance at one time (to the song “Meatstick”). Representatives from the Guinness Book of World Records were in attendance. Unfortunately, they did not break the world record (something about the band and audience rotating in different directions which disqualified them).
Piper isn’t really a song, but I would recommend listening to the whole thing instead of skipping to the jam (which starts at 5:45). It’s just the same chord progression that builds for several minutes and then you get some nonsense lyrics in typical Phish fashion. The song is basically just a springboard for some lengthly jam.

Anyways, this Piper jam has a slow build up, followed by a raging jam that lasts about 10 minutes before shifting into a more funky, multi-faceted rhythmic groove. This jam is a much more exploratory jam than a typical ’99 Piper jam. Another fun piece of info: the intro of this live version was spliced together with the studio recording for the album Farmhouse (I got that from the YouTube comments). 

Here is the version from Camp Oswego: https://www.youtube.com/watch?v=ntPJSXYfK9o

Compare it to the studio version: https://www.youtube.com/watch?v=BtXgjnZol0Y

FYI: for those of you in Illinois, Phish is doing 3 nights at the Allstate Arena in Rosemont (October 26-28) http://phish.com/tours/